Migrant and Diasporic Cinema in Contemporary Europe

Migrant and Diasporic Cinema in Contemporary Europe

La Fille de Keltoum/Bent Keltoum/The Daughter of Keltoum

Mehd Charef(2001)

France, Belgium, Tunisia

Genre:
Language: French, Arabic

The sixth feature film by beur director Mehdi Charef, it is the first to be set in his native Algeria.  It appeared shortly after Abdelkrim Bahloul's L'Autre monde, another film which returns to the director's homeland for its setting (a choice made possible by the cessation of a decade of terrorist violence in Algeria).  In each case, the film centres on a young woman who 'returns' to her country of origin on a quest.  In the case of La Fille de Keltoum, it is ostensibly the quest for the birth mother who abandoned her for adoption at the end of the war of independence. 

The film's angry, young, westernised Swiss beur heroine, Rallia, first spends time with her crazy aunt and family in an arid mountain village, then travels across Algeria in search of her mother, Keltoum, who works at a seaside resort.  In the course of her journey, accompanied by her aunt, she discovers the barbaric treatment to which Algerian women are subjected and becomes alienated from both the country and the aunt.  When she finds Keltoum, however, she discovers that the aunt is in fact her mother, having been raped by a soldier and gone out of her mind; the baby was sold to pay for the family to have access to water.  The film is thus critical both of the government of the newly independent Algeria in the past and of the misogynistic Islamic patriarchal system in the present.  However, its political impact is undermined by the often inexplicably vacuous behaviour of its female protagonist, who leaves the country almost as soon as she has been reconciled to her true mother.

 

 

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Last edited: 10 11 2006 - Designed by PageToScreen